The Rave Reviews Are In for The Dangers of Electric Lighting!

Andrew Sellon as Nikola Tesla and James Glossman as Thomas Edison in “The Dangers of Electric Lighting” at Shadowland Theatre, NY

There are only two papers that review Shadowland Theatre productions up here in Ellenville, NY, but happily reviewers from both came to see The Dangers of Electric Lighting and both loved it.  The first link also has a number of photos from the show.  I’ll be posting a few pix or a slideshow soon.  Enjoy!

Review from the Catskill Chronicle

Review from the Times Herald Record Online 

The science is secondary to the human drama in this eye-opening play.  If you thought you knew Thomas Edison, or knew nothing about Nikola Tesla, this play by Ben Clawson, directed by Brendan Burke, will set you straight on both!

 

 

The Dangers of Electric Lighting at Shadowland Theatre!

This all happened so quickly that I didn’t even find the time to post that I was cast in this production, but I open tonight as Nikola Tesla in the NY Premiere of The Dangers of Electric Lighting, about the War of the Currents between Thomas Edison and Nikola Tesla.  It’s at Shadowland Theatre in Ellenville, NY, and plays from 9/14-30.  If you’re going to be in the Catskills area, come see the show!  It’s a great cast, and an excellent production of a surprising and thought-provoking look at an unknown chapter of U.S. history.

Click Shadowland’s nifty animation in this post to visit the site for more information and for tickets.

My Film Shoot With John Carney and Mark Ruffalo Was a Blast

Costume by Arjun Bhasin for the film “Can a Song Save Your Life?”

Late last Friday night into early Saturday morning I filmed a scene for Can a Song Save Your Life?, written and directed by John Carney (Once), and starring Mark Ruffalo and Keira Knightly.  The shoot had to be done overnight because the scene was set in a moving NYC subway car, and late at night at the end of a subway line was the only time a real station and train could be used.  I played a man the script titles Christian Father, a quiet man with a well-worn bible and a handful of prayer pamphlets.  Honestly, it all went so smoothly that it was over almost before it began.  John and Mark couldn’t have been more gracious and fun. 

When John introduced himself before the first take, he mentioned he wanted to add a new line.  He also said he liked the line improvs I did on my audition clip, so I should just keep those.  I think we ended up doing only three takes of the brief scene; each time Mark reacted slightly differently to me, and I had great fun responding to whatever he sent my way.  I’ve never had a nicer or more generous scene partner, and hope I get to play with Mark again one of these days; he is seriously fun.  When it was all done and I was wrapped, I thanked John for a great time.  He has a great attitude and energy, and I would love to do another project with him.  Even though we were under a time constraint, everyone was working smoothly and having a great time doing it; that doesn’t just happen by itself.

As with my experience on the set of The Smurfs, every single person with whom I came into contact was incredibly nice as well as talented.  Mariela Comitini (first AD), Maura Kelly (second AD), Arjun Bhasin (costume designer), Deirdre Wegner (asst. costume designer), Patrick, Joanna, and so many more.  While waiting outside my little honeywagon, I had a good time chatting with the actors who make up the “band” in the film before they shot their scene that night; what a bunch of sweeties.  I also had a great extended conversation in the wee hours with a lovely young woman named Grace, who lived up to her name, looking after me and getting me where I needed to be when I needed to be there.  The funny thing about a movie shoot is that while there’s typically a lot of waiting in the process, once your scene is up for shooting, time is of the essence, and you meet a whole bunch of wonderful pros for very fleeting discussions and arrangements.  Someone hands you a cool prop, one or two other people are wiring your mike into your costume, while someone else might be sharing last-minute instructions with you.  Suddenly things fall into place, the others vanish, the director calls “Action!” and in no time the whole thing is over.  You never get to go back and thank all those folks again for the great job they do!

John has written a lovely script, and has surrounded himself with a great bunch of performers; in addition to Mark Ruffalo and Keira Knightly, the cast includes Catherine Keener, Hailee Steinfeld, James Corden, and Adam Levine.  Given how beautiful John’s film Once is, I have high hopes for this one, which shares a spiritual kinship with that hit.  Anyway, my thanks to John, Mark, and all involved for a swell time.  I can’t wait to see the finished film!

Shooting a New Film Role in NYC This Week With Mark Ruffalo!

I had a great Friday 13th–I was cast in a scene w/Mark Ruffalo in a new film directed by John Carney (“Once”). The cast also includes Keira Knightly, Adam Levine, and Hailee Steinfeld.  My scene shoots one day this week in NYC.   I also had a great audition for both Scrooge and Marley in a production of “A Christmas Carol”.   A good day!  http://www.imdb.com/title/tt1980929/

You Never Know Where I’ll Turn Up Next

I had to laugh the other day.  Well, I laugh at some point pretty much every day, but this was for a particular reason.  My friend Beth Hylton, a fellow UNC-Chapel Hill PATP graduate, and co-star in the recent Maltz Jupiter Theatre production of The 39 Steps, sent me an e-mail to let me know I was “on the wall!”  She explained by elaborating that she had just arrived to rehearse a play at the Public Theatre of Maine, only to find a photo of me in their production of The Foreigner featured prominently on the theatre’s wall.  She was kind enough to take a snapshot and include it with her message so that I can share it with you. 

You never know where I’ll turn up!  Thanks again, Beth, for sharing this–I had a great time at the theatre, and the photo of the wall is a hoot!

New Trailer for The Hunting of The Snark!

Here’s an adorable trailer for the upcoming claymation feature film inspired by Lewis Carroll’s immortal nonsense poem, The Hunting of the Snark.  It’s written and directed by Saranne Bensusan.  I’m not featured in this trailer, but I contributed the voice of the Judge to the Barrister’s Dream sequence.  After all, who could turn down an appearance in a Lewis Carroll project?  Not me!  Enjoy.

 

The Hunting of the Snark – Official Trailer from From the 3rd Story Productions on Vimeo.

The Violet Hour Opens Tonight!

“The Violet Hour” opens officially tonight! Don’t miss this remarkable play in its first NY revival. It’s a beautiful production and only runs through 3/25! I am thrilled to be working with such a superbly talented cast (John P Keller, Cheryl Freeman, Lincoln Thompson, and Heather Lee Harper) and director (Nathaniel Shaw) and stage manager (Kerri Lynch) on such a surprising, funny, and thought-provoking script. I think it’s Richard Greenberg’s best play. Join us!

Click the image to read more about the play and buy tickets online.  Remember: we only run through 3/25 and you don’t want to miss this production!

The Violet Hour Begins Performances Tonight!

This is it!  Tonight is the first performance of The Active Theater’s production of Richard Greenberg’s amazing, surprising, and humane play The Violet Hour.  We open officially on Monday, 3/12, then run through 3/25.  Click the image on this post to see more information and to buy tickets.  I’m incredibly excited to be a part of this production and hope you can join us for an evening of intimate, beautiful live theatre.  The production stars John P. Keller, Cheryl Freeman, Lincoln Thompson, Heather Lee Harper, and yours truly.  Kerri J. Lynch is our wonderful Production Stage Manager, and Nathaniel Shaw is our inspired director.

If you like parties, there are still tickets available for Monday’s Opening Night performance.  Any donation to The Active Theater that night will entitle you to join us at the opening night party!  I encourage you to give freely, and join us.  This is a theatre group well worth your support.

Special Note to fellow members of Actors Equity Association: remember that if there are still seats available, you can see the show for free if you stop by right before a performance with your AEA union card.

New Cast Photo and Fundraising Video for The Violet Hour

Here’s a great photo of our five-person cast: Cheryl Freeman, John P. Keller, me, Lincoln Thompson, and Heather Lee Harper.  Not pictured are fabulous director Nathaniel Shaw and stalwart production stage manager Kerri J. Lynch.

Click the photo to see a cute little fundraising video The Active Theater created for this production.  They asked us all (including the designers) for words to describe this wonderful play.  The variety of answers is fantastic, and should give you some idea of the complexity of this beautiful script.  If you can help Active fund the costs of the production, they would be very grateful, as would I–every little bit truly helps, and their fundraising deadline is our opening night, Friday March 9th.

Again, if you’ll be in town anytime between March 9-25, I urge you to come see this beautiful production.  The play is remarkable.  It’s a mystery to me why it wasn’t a massive hit on its 2003 debut, and why there isn’t already a movie of it.  But then, I think part of its magic is that some of what happens simply wouldn’t be as magical in a movie; you need to see it happen live right there in front of you.  The show is beautifully cast and directed.  And tickets are very inexpensive.

If you are or know casting directors or Off-Broadway producers, urge them to catch this show, and to arrange for their tickets soon!  The house is small, and I’m told tickets are already starting to sell nicely.  This one’s a gem, and the people who see it will be talking about it.  Don’t let it slip by!

If you’re industry, please click here to request tickets for the date of your choice.

You can see the performance calendar, and if you’re any other audience member, you can order tickets, right on The Active Theater’s web site.

See you there!

Get Your Tickets Now For The Violet Hour!

We have just finished Week Three of rehearsals.  I continue to be inspired by the job director Nathaniel Shaw is doing with shaping our production of Richard Greenberg’s beautiful play The Violet Hour.  It’s a very ambitious script, and it calls for all five characters to go through the emotional wringer in the course of the story.  It’s a genuine tragicomedy–hilarious one minute, almost like something out of a period comedy, and then heartbreaking the next when reality and fate rear their ugly heads.  Yet by the end, it’s also healing and even hopeful.  In short, Greenberg is working some pretty potent and challenging theatrical magic, and Nathaniel has his eye out for every connection, every realization, every surprise.

I told Nathaniel this week that he’s my favorite kind of director–he picks a fantastic script, hires wonderful actors, and brings a lot of ideas to the table from the first day.  Yet at the same time, he’s completely open to the ideas we actors bring to the table, and to what happens spontaneously in the rehearsal room.  He creates the perfect respectful playspace (ably set up and overseen by our production stage manager, Kerri Lynch), so that we can just throw ourselves into the story and see what we bring out of each other.

Showcase productions don’t always come together so beautifully; this is an exceptional script and an exceptional bunch of theatre artists, all working at the top of their game.  Sunday we have our costume fittings with designer Bobby Pearce, Tony nominee for Broadway’s Taboo.  Then we run through the show again.  Monday, they bring in the office set designed by D. Craig M. Napoliello.  Tuesday, we go into Tech Rehearsals, and add Mike Inwood’s lighting, Jacob Subotnik’s sound design, and David Ojala’s special effects.  (I can’t say any more here without giving away some major plot twists!)

This is the most ambitious production The Active Theater has ever done, and it’s also the most expensive.  The set has been built by one of the best pro shops in town, and there are period costumes to be provided, not to mention some surprises.  If you can help support this production in any amount, click here to visit IndieGoGo and contribute.  As of this writing, the theatre still needs to raise another $6300 before our opening on Friday, March 9th!  Even small amounts add up fast, so please do pitch in if you can.

If you are a casting director, or producer, please make your reservations to see this show by contacting Virginia the Active Theater right away to reserve your industry comps.  The performance venue only has 65 seats, and tickets are already selling for this first NYC revival of this remarkable play. 

If you are an audience member, I encourage you to buy your seats now, as they are going quite quickly.  Click the image on this post to see more about the production and to buy your tickets.  This is a production that will move you.  And it deserves to move to a larger venue for a longer run, too. 

We open a week from tonight.  Join us at The Violet Hour to see for yourself, and help us make that move happen!